Love Kill (2014 - 2015) 

Sarker Protick’s photographs of Bengali pulp films look about as subtle as the waxed mustache on the villainous cad tying the damsel to the railroad tracks. They’re brazen, colorful and comical, with gun-wielding gangs in bright costumes and garish blood spatters. But unlike the Snidely Whiplash trope, their luster belies their layers.
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